The Furniture We Need

Voices and furniture expressing dignity

Exhibition year

2024

Place

Culture Tower
Knippelsbrogade 2
Copenhagen

Credits

Concept, Text & Press: 
Jonas Sølberg

Graphic Design: 
Johanne Lian Olsen

Spatial Design: 
Karen Toft

Dekuration:
Line Lund Bak

Portrait photo:
Andreas Thaulow

Exhibition photos:
Jacob Fox Maule

Support by

One Collection

Fredahl Rydéns

The Danish Export School Foundation

Story
For his second solo exhibition, Anker invited visitors to experience, if only in glimpses, the daily reality of those who depend on assistive furniture.

Through his designs, intimate portraits, and personal quotes, the exhibition offered a profound insight into how thoughtfully designed furniture can empower people, regardless of physical ability or age.

Mentioned and widely praised in both national and international media - including Politiken, Le Monde Diplomatique, and Dezeen - the exhibition received global recognition for challenging taboos and sparking meaningful conversations about assistive furniture in design.

It set a sensitive yet urgent standard for amplifying the voices and wishes of an underrepresented minority—always in close collaboration with the individuals themselves.

Design
Set in Copenhagen’s historic Knippelsbro Bridge tower as part of the Nordic’s largest design festival, 3daysofdesign, the exhibition unfolded across four floors overlooking the harbor.

Each level presented deeply personal stories and reflections from those living with physical disabilities, alongside Anker’s assistive furniture. Beginning with the cane - symbolizing the early stages of physical challenges - the exhibition ascended through the realities of aging, culminating at the top with Ro, the organic coffin, reimagined as a table.

Here, guests from across the world gathered to speak of loss, grief, memory, and hope, in quiet reflection above Copenhagen.


アンカーは彼の2回目の個展で、補助的家具を必要としている人々の日常の現実を、垣間見るだけでもいいから体験してもらおうと来場者に呼びかけました。

この個展では、彼のデザイン、親密なポートレート、そして個人的な引用を通して、思慮深くデザインされた家具が、身体能力や年齢に関係なく、いかに人々に力を与えることができるかについての深い洞察を提供しました。

Politiken、Le Monde Diplomatique、Dezeenなど、国内外のメディアで言及され、広く賞賛されたこの個展は、タブーに挑戦し、デザインにおける補助的家具について有意義な対話を巻き起こしたことで、世界的に認知・評価されました。

常に各個人たちとの密接な協力のもと、マイノリティの声や希望を増幅させるための、繊細でありながら緊急性の高いスタンダードを打ち立てることになりました。


北欧最大のデザイン・フェスティバル「3daysofdesign」の一環として、コペンハーゲンの歴史的なクニッペルスブロ橋のタワーを舞台に、港を見下ろす4つのフロアで展開された個展。

各フロアでは、アンカーの補助的家具とともに、身体障害とともに生きる人々の個人的な物語や考察が深く紹介された。身体的挑戦の初期段階を象徴する杖から始まる展示は、老いの現実を経て、テーブルとして再構築された有機的な棺桶「Ro」で最高点に達しました。

世界中から集まったゲストは、コペンハーゲンの空で静かに内省しながら、喪失、悲しみ、記憶、そして希望について語り合いました。

+ IMAGES
+ INFO
Culture tower - The Furniture We Need
Culture tower - The Furniture We Need
The Furniture We Need - Voices and furniture expressing dignity
Culture tower - The Furniture We Need
The Furniture We Need - Voices and furniture expressing dignity
The Furniture We Need - Voices and furniture expressing dignity
The Furniture We Need - Voices and furniture expressing dignity
The Furniture We Need - Voices and furniture expressing dignity
The Furniture We Need - Voices and furniture expressing dignity
The Furniture We Need - Voices and furniture expressing dignity
The Furniture We Need - Voices and furniture expressing dignity

Process

Process - The Furniture We Need
Process - The Furniture We Need
Process - The Furniture We Need
Process - The Furniture We Need